More than 40 years ago Ayalew Mesfin, along with the Black Lion Band, recorded music in Ethiopia. Now, after all that time, Mesfin is releasing his very first album.
Mesfin and the Black Lion Band, of whom Tamiru Wolde A’b, Teshome Deneke, Tamiru Ayele, Tamirat Ziltini, Tekle Tesfaezgi and the Italian Giovanni Vincenzo were founding members of, performed at venues such as Patris Lumumba Night Club and the Etege Taitu Hotel.
Their music, funky and groovy with Western instrumentation, is a beautiful amalgamation of the Black Diaspora. Built upon centuries of Ethiopian musical tradition and then skillfully infused with the influence and style of African-American musicians, Ethiopian artists, as well as others throughout the continent, produced some cold tracks.
In the past several years, the shining outburst of jazz, soul, and funk that was created in the 1960s and ’70s Ethiopia with the help of the Éthiopiques compilation series, has come to the attention of those who had never lived in the country during the time of the music’s production and the height of its popularity. The “music-heads” of the West have joyfully been introduced to these sounds. The songs from this periodhave been sampled in hip-hop, used in movie soundtracks, and perhaps ironically, play, most likely at a volume not too loud but not too quiet, at your local gentrifying cafe.